Get Over It

‘Get Over It’ represents a big change of pace from my last two recommendations. It couldn’t be more different to ‘Welcome To The Rileys’ but I think it’s possible to enjoy both for different reasons. I’ve mentioned and encouraged the idea of being adventurous with movies and TV shows before, and I believe that a large component of this philosophy is the willingness to consider all types and genres. Sometimes I have to work hard to overcome my own movie genre bigotry, but if I uncover a gem in the process then the effort proves its worth.

So, what is ‘Get Over It’? It’s an modern update of Shakespeare’s, ‘A Midsummer Night’s Dream’ much in the same vein as the excellent ’10 Things I Hate About You’ and ‘She’s All That’. Those movies are justifiably well-known and well-loved. ‘Get Over It’, however, remains relatively obscure for reasons that I haven’t been able to grasp. Whenever I play it in the store, I feel like John Cusack’s character in ‘High Fidelity’: people will ask what’s playing and then almost certainly enjoy watching it when they get it home. This blog post will hopefully get the word out to at least 3 more people.

There’s something crucial to keep in mind when you’re about to embark on a viewing of ‘Get Over It’: it’s silly. In fact, it’s very silly. It’s important to set your expectations accordingly. This isn’t Shakespeare we’re talking about.

I think what makes this movie work for me is its unrelenting enthusiasm and positivity. It may be one of the most upbeat movies I’ve ever seen, and there’s a sense of innocence and purity to it, almost as though it were made in another era. By the time the end credits have rolled, you will have a huge smile on your face and a bounce in your step. Either that, or you’ve walked out halfway. There is no third option.

There are a couple of outstanding elements that come to mind when I think about ‘Get Over It’. One of them is the opening credit sequence. No discussion about this movie would be complete without mentioning it. After Berke Landers (played by Ben Foster) has been unceremoniously dumped by his longstanding girlfriend she literally sends him packing, marching him out her front door with nothing but a cardboard box (‘I’ve packed up most of your stuff...I thought it would be easier’). As he slowly shuffles away from her house, musicians emerge from her garage and follow him, singing along to Captain & Tenille’s song, ‘Love Will Keep Us Together’. As he continues to saunter down the street, he is followed by an ever-increasing number of dancers who join in on the parade, as if to torment his state of mind all the more. The truly impressive part is that all this is done within just one shot, with no editing at all - a truly virtuosic feat! It’s exactly this level of surrealism and insanity that imbues the entire movie.

The other thing that immediately springs to mind when thinking about this movie for me is the character played by Martin Short, Dr. Desmond Forrest Oates. He’s the high school drama director, and he’s one of those types who’s haughtiness is surpassed only by his lack of any genuine talent. Martin Short absolutely has a field day with this and portrays him masterfully with total maniacal glee. Speaking of ‘Glee’, if you took the worst aspects of the character of Sue Sylvester from that stupendous TV show and combined them with the ineptitude of Corky St. Clair from the masterpiece ‘Waiting For Guffman’ then you have something resembling Dr. Desmond Forrest Oates. He is truly a wonderful creation.

To sum up, this movie is an unstoppable force of nature that doesn’t know that ’11’ is the highest number that something can be turned up to and instead goes all the way to ’12’. I invite you to join the party and add your comments below.

Welcome To The Rileys

Sometimes so much can be said with so little, and ‘Welcome To The Rileys’ is a case in point. This movie demonstrates that powerful dramas can be made by paring back that which isn’t absolutely necessary. 

There are great paintings that feature a single brushstroke. So why have two? The second is not only superfluous to the painting’s success, but may actually detract from it and make it less powerful. 

Everything about ‘Welcome To The Rileys’ embraces this philosophy. The opening shot of the movie is a static shot of a burning car. A car accident complete with all the carnage could have been chosen instead, but the single shot of a burning car gets the point across with elegance and economy. 

The tone and feel of this movie reminded me a little of an early Wim Wenders movie, ‘Alice In the Cities’, which is high praise. It shares that film’s leisurely yet focused pace and attention to detail.

There’s one sequence that stands out as my favourite. Lois, played by Melissa Leo, is driving from her hometown in Indiana to Louisiana to meet her husband Doug, played by James Gandolfini. Along the way she stops at a diner and a strange man strikes up a conversation with her. He flirts with her and she’s flattered, but admits that she’s not used to talking with strangers. He assures her by mentioning that in his line of work, talking to strangers is par for the course. They part on good terms, and as she heads toward the exit, she pauses to notice a small group of young women at a table in the corner of the diner. 

Later in the movie, Lois has a conversation with Mallory - a teen runaway - played by Kirsten Stewart, that starts out in much the same way as the conversation she had with the man at the diner, but this time, Lois opens up more and the audience can derive a lot of substance and meaning from listening to the difference between the two conversations. I found that to be an incredible touch.

‘Welcome To The Rileys’ is one of the most emotionally honest movies I’ve come across lately. There is no reliance on visual gimmicks or a showboating acting style. It trusts its audience to invest in the story, and its calm, confident minimalism is refreshing. The cinematography is impressive and features a fantastic use of colour, especially in the New Orleans locations.

I look forward to more movies from director Jake Scott; his is a talent to watch in the future.

Have you had a chance to see ‘Welcome To The Rileys’? Let me know what you think in the comments section below.

Rocket Science

Rocket Science DVD

I’m going to make ‘Rocket Science’ my first movie entry in this blog. After watching it, I immediately had the urge to see it again. That doesn’t happen too often. I get the feeling that this movie will continue to reveal its riches with repeated viewings, which is always the mark of a great movie to me.

Watching it a second time turned out to be a good move, because once I knew how the movie ended I was able to view the beginning with a different perspective. It’s worth mentioning that ‘Rocket Science’ is set up with more efficiency than usual and the first 15 minutes covers a lot of ground. Everything you learn will come into play and have meaning later. The viewer making tea during the movie’s opening act will not get much from seeing the remainder of the movie. This is as it should be.

‘Rocket Science’ is written and directed by Jeffrey Blitz, who also made the documentary, ‘Spellbound’. I think there’s a connection between these movies. They both deal with competition at a high school level, but ‘Rocket Science’ looks at it from the perspective of a kind soul who may not necessarily have been born with what it takes to rise to the top. With all the focus on trophy-bearers, what happens to those students who have the drive and intelligence but lack the physical gifts and the confidence it takes to succeed? This is a rare movie that dares to take that perspective.

I should mention that there are many movies that tread the path of ‘the underdog that overcomes impossible odds and succeeds’. We all like these stories. Some of them such as ‘The Karate Kid’ or ‘Rocky’ are certainly great movies, however this movie doesn’t tread that path in quite the way you’d expect. That takes true courage.

‘Rocket Science’ knows that life isn’t always victorious in grandstanding ways and that quieter, more personal victories are also possible.

A customer who returned this to the store recently mentioned that she was hoping for a more conventional outcome for this movie at first, but then remarked that it would then be just the same as every other movie and be wholly unremarkable. The way it actually turns out makes it distinctive and unique and it stays with you. Bravo! I think that says it perfectly.

Finally, the movie also features some truly excellent photographic compositions and some really noteworthy picture editing transitions as well. The drama is always understated and subtle and never burdens its viewer with mawkishness or sentimentality. Those are cheap, manipulative tricks and ‘Rocket Science’ is far better than that.

Did you enjoy ‘Rocket Science’? Please leave me a comment below and let me know what you think.